Ajeng

Ajeng photographed in a colorful sculptural mirror
HoM Haute · InterviewsIssue 33 · Tangerang · 2026

A portrait in two chapters

Ajeng A. W.

Her own housePoetica

Founder · Storyteller · Scent creator · Creative director

Softness is not the opposite of strength.

Ajeng photographed in a colorful sculptural mirror
Ajeng A. W. · Personal archive
Part One · Ajeng

The softness that holds

Ajeng studied business management, but fragrance became the language with which she could keep what speech let escape. For her, sensitivity is not decoration. It is a way of paying closer attention.

BasedTangerang
PracticeScent and story
Daily resetCoffee and Friends
TemperamentSoft, curious, sincere
A private soundtrack

The songs beside the work

Music belongs to Ajeng’s creative atmosphere in the same way that fabric, poetry, and familiar rituals do. Open her playlist or let it accompany the interview here.

Open the full playlist
01

When did fragrance become a language?

I graduated in business management, so building and creating something has always been part of me. My love for fragrance followed me through every stage of life. Being able to tell stories from my life through scent had always been a dream.

I am still learning every day, and that is one of the things I love about perfumery. There is always something new to discover.

Read her through
Storyteller

Fragrance as a sentence that stays

For Ajeng, fragrance is both museum and pen. It collects the artwork of other people, then gives her a way to write down what she cannot always say aloud.

02

What is your relationship with fragrance?

It feels like a collection of artworks in a museum, as well as a pen. Fragrance is a way to collect and write down memorable stories from every stage of life.

I admire every kind of fragrance, even the bold and quirky ones. It is exciting to discover a new scent because I get to discover another story and the reasons behind each layer. I naturally lean towards airy, ethereal, whimsical, and poetic scents because they feel closest to who I am.

03

What are you wearing now?

Some delicate florals, and sometimes vanilla when I want to be in my own bubble and feel most like myself.

Most of the time I choose something very light, clean, or musky, or even no perfume at all. Distance resets my nose and keeps my relationship with fragrance exciting. It helps me appreciate perfume even more when I return to it.

04

What does good taste mean to you?

I do not think there is one definition of good taste. There are groups of people who share similar preferences, while others simply have different ones.

Maybe good taste is being able to appreciate any kind of scent, from the familiar and simple to the strangest and most unconventional. It does not always have to match what people think is beautiful. Sometimes you have to trust your own nose and your own instincts.

One belief she would defend
“Softness is not the opposite of strength. Being gentle, sensitive, and emotional can be a way of understanding the world deeper.”
An intimate garden table seen through an open doorway
The memory that became a perfume

Memory Lane

The scent of soft leather brings Ajeng back to her late father and his brief obsession with leather jackets. Years later, an early formula of green fig, patchouli, tobacco leaf, and soft leather returned her to him. It became the perfume she never had the chance to share with her father, and the one that now lets her carry part of him forward.

A framed black and white photograph of Ajeng's father
The Memory Lane bottle resting on lace
Plate VThe museThe photograph, and the perfume it became
IIThe interview ends here

Step into the house

What follows is not her answers but her work — the objects, the commissions, the small batches, and the room where the poems are read aloud.

Part Two · The world she built

Poetica Perfumery

A journal, a keepsake, and a gentle side of artisan perfumery. Poetica gives form to the stories Ajeng once found difficult to say aloud.

Poetica Perfumery textile sign in a softly lit room
The name becomes a method
I am the poet My memories are the muse The perfumes are the poems Poetica is the poetry book
The first page
The first pageLoose pages, dried flowers, and the handwriting she keeps returning to.
The muse
The museA leather jacket on a chair — the note that became Memory Lane.
The poems
The poemsThe workbench where a sentence becomes a formula.
The poetry book
The poetry bookEverything she cannot say aloud, kept behind a curtain of cloth.
01/04
A scent poem composed by you

A garden waitsbeneath soft woolin silver morning.

Compose the atmosphere

Choose an image, a texture, and a light. The scent itself remains for Ajeng and the wearer to imagine.

Image
Texture
Light
Ajeng discussing fragrance at a table
Late 2024 · A small flat

The first page

Poetica began while Ajeng was pursuing her master’s degree. She collected materials and equipment little by little, building a working world in the corner of a small flat.

One of her earliest creations was a bespoke fragrance for a friend. From that first personal commission, Poetica slowly grew from an idea into a house.

Time spent working with House of Medici between 2023 and early 2025 widened the horizon. It showed her that perfume had no single standard and did not need to chase the same trends to be valid.

Bottles and materials on a working table
A first bottle with a gold seal, held in the hand
A framed set of early miniatures
An early bottle with a blue cap
The bench: scale, dropper and decants
Plate IThe first pageEarly Poetica — her university years, in a rented room in Jakarta
The position Poetica chooses
“Why can’t artisan perfume be soft, airy, pretty, and comforting?”
A hand drawn note about holding a moment a little longer
Plate IVA way to hold a moment a little longerDrawn in her notebook
The Quiet Layer, four bottles resting on lace
The Hours We Keep, four bottles resting on lace
Plate IITwo books of timeThe Quiet Layer, and The Hours We Keep
The fragrance library

Two books of time

Choose a collection, then open a fragrance. Each title begins with an ordinary image and holds a different form of remembrance.

The Quiet Layer lingers rather than announces itself. It studies softness as fabric, powder, air, and the comfort of feeling completely yourself.
Wool Vanille on lace
Bleu Poudré on lace
Glass Garden on lace
Plate IIIThree from the shelfWool Vanille, Bleu Poudré, Glass Garden
Stories entrusted by others

Bespoke at Poetica

The collections bottle Ajeng’s stories. Bespoke perfumery lets her help preserve someone else’s memories, milestones, music, places, and people.

The process begins in conversation and often takes visual form as a mood board. A fragrance is then built slowly, allowing a client’s private atmosphere to become something they can wear and revisit.

For Ajeng, the trust is the most important material.

A pale bridal bouquet and jasmine garland
Two Poetica bottles held in the hand
A bespoke commission card with its mood images and formula
A bespoke commission card with its mood images and formula
A bespoke commission card with its mood images and formula
A bespoke commission card with its mood images and formula
Plate VICommissionsFour private formulas, made lately
Beyond the bottle

A gentler place to gather

The Poetics Club

A small gathering where guests explored accord bases, experienced the collection, painted perfume bottles, and spent time making together.

JFC Festival

In March 2026, Poetica met a wider public for the first time through Jakarta Fragrance Club, bringing its intimate stories into a shared room.

What comes next

More study, more encounters, and more listening. Growth matters only if the fragrances remain sincere enough for someone to find part of their own story inside.

Guests at the Poetics Club working table
Blending and painting at the Poetics Club
The Poetics Club group, in front of the material shelf
The Poetica stand at Jakarta Fragrance Club market day
Plate VIIThe roomThe Poetics Club, and a first market day
Amber bottles of materials on the bench
Dropper bottles in a row
Finished bottles with their cards
Pouches and cards arranged on lace
Two Poetica drawstring pouches
Plate VIIISmall batchWhat it is made from, where she learned it, and what it comes in
Where Ajeng leaves us
“I hope that somewhere along the way, someone discovers a piece of their own story within mine.”
Ajeng A. W. · Interviewed for HoM Haute · Issue 33 · 2026
Harum Oleh Memori
Fragrance through memory